Sunday, 30 May 2021

How Fortis Consonants Affect Vowels

In this quick post I'll go over how each vowel combines with a fortis consonant to give a unique result. I'm not knowledgeable about this so I'd urge anybody to correct me if I'm wrong. 

In some parts of Ireland, there is a phonemic difference between fortis consonants (from Latin meaning 'strong') and lenis consonants (from Latin meaning 'soft'). This has historically applied to l, n and r although no such distinction is found in Munster these days and the distinction for r has fairly much died out as a meaningful distinction for most Irish speakers in Connacht and Ulster. 

This distinction presents itself in writing with fortis having double consonants and lenis having a single letter. The difference in speech is that fortis l and n have a dental quality being produced with the tongue on the teeth and r being strongly trilled whereas lenis l and n are alveolar with the tongue touching the ridge behind the teeth and r being softer. In Celticist transcription, the fortis consonants will take an upper-case letter and lenis have a lower-case one. For those that preserve it, the difference in sound can be found in the following examples

  • ballach v. bealach
  • gall v. geal
  • gleann v. glan
  • ceann v. cochan
  • thar v. carr
  • fear v. farraige
As I said, this distinction is not found in Munster dialects, a loose grouping which I would count Ossory Irish as being in. I reckon that the distinction had been lost in Kilkenny around 1750-1800 or possibly earlier. Going through manuscripts would reveal certain spellings which may tell when this happened. As a result of the loss of this distinction, a sound shift occurred so as to prevent words completely merging. So today for Munster dialects, a short vowel changes or breaks in stressed syllables when next to a fortis consonant.

As far as I understand, a historical fortis r does not cause any vowel change so I won't cover that. The historical fortis m, which is not currently represented in speech or writing, causes this change in vowel too. This change only applies to short vowels in stressed syllables. If there was already a diphthong or a long vowel, it does not change as far I am aware. I'll compare the spelling convention with the pronunciation.

<a> - Followed by a broad fortis consonant such as in the words anall, amceann, steall, et al. the vowel is /əu/. Breatnach phonemically had /əu/ but Wagner had both [əu] and [ɑu], showing that these were allophonic. Wagner's transcriptions were /əˈnɑul/, /ɑum/, /k´əun/ and /sd´ɑul/. An exception to this is ann which is pronounced /u:n/ as though it were spelled ún.

<ai> - As I wrote before, <ai> is pronounced /i:/ which is mostly before fortis consonants. Examples are caint (historically spelled cainnt in Irish), crainn and saill. These are /ki:n´t´/, /kri:ŋ´/ and /si:l´/. Wagner also sometimes has /ɑi/ here.

<o> - This is often pronounced /u:/. This is also to be heard in West Munster and 'Thomond' (present day Clare and Limerick). Examples are the words fionn, cionn, anonn and lionn which are /f´u:n/, /k´u:n/, /əˈnu:n/ and /l´u:n/.

<oi> - This becomes the diphthong /əi/. For example, coill and soillse which are /kəil´/ /səil´s´ə/. Wagner had both [əi] and [ɑi] which again are allophonic.

<i> - This short vowel becomes long /i:/. For example, tinn and linn which are /t´i:ŋ´/ and /l´i:ŋ´/.

Thanks for reading

Sunday, 18 April 2021

Pronunciation Quirks

Here are some quirks of pronunciation. Because there such little audio available to me, the very finest details of pronunciation are impossible to know just yet. This is by no means comprehensive but just a few distinctive features to remember.

-Slender R
The slender r varies across Gaelic dialects but Ossory is unique in having [ʒ] for /r´/. This sound is essentially the same as the g in beige or j in the French word je. This same sound is also found in the dialects of Oileán Chléire and East Galway as an eclipsed/urú form of slender s /s´/. I should also say that this is incredibly similar to the slender r found in speakers particularly from the Dún Chaocháin peninsula in Erris, Co. Mayo.

From the snippet of a recording that I posted earlier, I would say that this sound is produced with the blade of the tongue pressed flatly on the alveolar ridge behind the teeth.

-Slender NN as NG
Just like in Ring, Co. Waterford, slender fortis n /N´/ merged with /ŋ´/ rather than /n´/. This is seen in the words Rinn, linn, tinn or éinne which are pronounced with /ŋ´/ and are often spelled Ring, ling, etc.

-Raised vowels
Many vowels are raised in the presence of a nasal consonant. This is a common shift in many languages. /o:/ often becomes /u:/ such as in the words mór, feirmeoirtóin etc.

The shift from /a:/ (or /ɑ:/) to /o:/ beside nasals was not something either Pádraig de Paor or 'W'* had but Matthew Byrne did have it such as in the words amháin /ə'vo:n´/, lámh /lɔ:/ and lán /lɔ:n/. Remember that Wagner's transcription is much narrower. This shift was also found in Clare/Thomond.

-ai to aoi
Where the diphthong -ai- is written the vowel is often /i:/ such as in the words caint, crainn, saill, strainséir etc. These words were frequently written with the vowel as -aoi- so caoint /ki:n´t´/, craoing*2 /kri:ŋ´/, saoill /si:l´/, straoinséir /stri:n´s´e:r´/.

-Stress
Stress is generally strong on the final syllable.

-Word final -amh
Final -amh and -(a)bh varies generally and could be either /ə/ and /əv/. Pádraig de Paor had both of these and spelling evidence suggests both too with it likely varying from speaker to speaker and region to region. tala, cúna and leana are attested forms of talamh, cúna and leanbh.

-Word final -th and -ch
When th comes at the end of a word, it is often pronounced /x/ and written ch such as in the words blách for bláth /bla:x/, leach for leath /l´ax/ etc. Sometimes the opposite is done where ch at the end of a word becomes /h/ or is elided. This is seen with gach aon which was /ga he:n/. This is used today in Ring and often spelled ga haon.

-Devoicing of final consonant
Like in Connacht and Ulster, the final consonant is often devoiced. This is mainly found in words ending in a g changing to c in those two provinces however this is done more liberally in Kilkenny with words such as eilic /el´ik´/ for uilig etc. This is never seen with Gaeilig /ge:l´ig´/ which seems to always retains its voiced g.

*Of the three informants referenced in Wagner's Kilkenny material for points 6 and 6a in LASID, there's Matthew Byrne from Tallowbran (point 6), Pádraig de Paor (6a) and a mysterious third informant listed only as 'W' (also 6a).

*2 This spelling is unattested but the pronunciation is taken from LASID Vol. I, page 248. This also works as an example of the second pronunciation feature.

Friday, 16 April 2021

At long last, audio of Pádraig de Paor

Here we have a tiny clip of Pádraig de Paor. From speaking with people who are interested in or are studying Gaelic dialects with few or no living speakers, I understand that trying to learn said dialect is very difficult without a good bit of audio recording. Reading about its phonology is helpful but it would be impossible to properly know what a language or dialect sounded like without audio to supplement.

The clip itself lasts 29 seconds with only 14 of those being uninterrupted since a man and woman begin to talk about something to do with transcribing. I got the clip from this 'Gaeilg Chill Chainnigh' blog post. The link was dead but thankfully somebody in the comments posted a new link to it, so thank you Cathal!

Unfortunately, I don't know what radio programme this is from or if more of the complete audio is available online apart from this Twitter post from Seaghan Sionnach. I'd guess from the dated and almost British sounding prestige register of Hiberno English that the gentleman uses that this is from 20+ years ago but I wouldn't be sure. I have contacted the UCD archive and received news that I may receive all of the audio at some point in May. Unfortunately though, I may not be able to share it due to it not being my audio.

Here I'll be giving my attempt at a phonemic transcription along with the original Irish and English translation. I have used /r´/ instead of /ʒ/. My skill in this is not great so I would appreciate feedback.

I don't know how to insert audio into blogger so here's a video.


"Bhí feirm- ... bhí feirmeoir ann fadó, agus chua' fear bocht ag gearradh brosna aitinn ar chnoc. Tháinig an feirmeoir air agus d'fhiafraigh sé ..."

"There was a farmer long ago, and a poor man went cutting gorse wood on a hill. The farmer came and he asked ... "

/v´i: f´er´əm´ ... v´i: f´er´ə'm´u:r´ u:n [?] fado agəs xuə f´ar boxt ə g´arə brosnə at´əŋ´ er xruk .../

Here we can see a number of the features I described in my previous post. An interesting point is how vowels are generally raised in the presence of a nasal consonant such as in feirmeoir and ann. The fortis/lenis distinction was not made at this time in Kilkenny and no such phonemic distinction had been present for easily 100 years. As like the rest of Munster, the vowels here shifted or broke in order to stop the merging of words. This happened differently in different areas.

Some 'seanfhocail agus seanchainteanna' from Iarsmaí de Ghaeilig Chontae Chill Choinnigh

Risteard Breatnach (R. A. Breatnach), born in 1911 in County Kilkenny, was a linguist who wrote prolifically on Gaelic dialects and is said to have had a mastery unrivalled by few other scholars in the history of the language's scientific study. He contributed significantly to Éigse covering many topics and published several books. Another scholar also confusingly called Risteard Breatnach (R. B. Breatnach) wrote a study on Ring Irish which is a useful resource for anybody interested in that dialect and likely a useful resource for people interested in East Munster Irish generally. 

Being a Kilkenny man, Breatnach was drawn to conduct a study of the dialect from his own home county which he did as his master's dissertation. As useful as this would be for my own effort, I'm not able to get it as it remains unpublished in UCD's library. Part of this study, however, was published in Éigse Volume XXVI in 1992 under the title 'Iarsmaí de Ghaeilig Chontae Chill Choinnigh' meaning 'Relics/Remnants of Irish from County Kilkenny'. The article contains some useful information about the dialect as well as the main informant and likely last speaker, Pádraig 'an Paorach' de Paor. De Paor, who has gone by many names, was said to have been a very fluent speaker and provided Breatnach with a number of seanfhocail (proverbs, 'old-words'), seanchainteanna ('old-sayings') as well as several verses and prayers.

In this quick post, I will be showing some of the seanfhocail and seanchainteanna that I like and I will go through the meaning, pronunciation as well as cool dialectal features. Breatnach gives all of these using spelling that is a fair mix of dialectal Munster and standard but I will put into brackets any spelling that could also work. Most of these are fine and no majorly disastrous standardisation has occurred but spelling is a complicated issue in Irish dialects that I won't get into.

The transcription here is phonemic and in Celticist. Heinrich Wagner also listened to tapes of de Paor and gave much narrower phonetic transcriptions in his Linguistic Atlas and Survey of Irish Dialects (LASID). I am currently trying to get a hold of the audio but have only got a tiny bit as writing this.


Mara bhfuil (buil) ba ar na cnoic agam, thá suaineas (súineas) insa sop agam.

/mɑrə bil´ bɑ eʒ nə knik´ əgom, hɑ: su:n´əs ənsə sop əgom/

This one means 'If I've cattle in the hills, I can rest (lit. have safety in the sop)'. This is almost identical to a phrase my father once used, 'If you've cattle in the hills, you've money in the bank'. Cattle are valuable things and keeping them in the commonage in the hills will keep them safe because as my dad put it, they're untouchable and they can only multiply.

Straight away, we have some identifiably East Munster features. thá and buil as variants of  and bhfuil are known to be features of Déise Irish currently spoken in Ring Co. Waterford and the two were used in the South Tipperary variety of this dialect too. However, thá is occasionally used in most dialects varying by the speaker and is the most common form in Scotland as tha. In Kilkenny texts that do use both  and tháthá is overwhelmingly dominant. It seems that buil was always spelt bhfuil, but I have never encountered the latter in phonetically transcribed material.

A distribution of phonetic [a] and [ɑ] for phonemic /a/ is common to Irish dialects, however, Breatnach lists these as two separate short vowels /a/ and /ɑ/ without outlining what exactly the difference is. These were not distinguished in any historic Gaelic variety that I know of, so it's not possible that this is an older distinction which just happened to be lost in every other modern recorded Gaelic dialect. The other Breatnach (R. B. Breatnach) also does not give these as separate in his study of Ring Irish. I cannot find a single minimal pair and there are multiple places where Breatnach notes that de Paor had /a/ where he would have expected /ɑ/ like in /sagərt/. I suspect the difference might be that /ɑ/ is used in the presence of dorsal consonants (/k/, /g/, /x/ etc.) but that would be a complementary distribution so that doesn't make sense either. This all leads me to believe that the distinction was in fact not phonemic, but who am I to question Breatnach? He was a scholar and knew the dialect better than I do so I'll have to trust his judgement for now.

For the preposition ar which corresponds roughly with on, we have another strikingly Kilkenny/Ossory feature. This word is pronounced with a final slender r /r´/ and formerly spelt 'air' as in Scotland today*. The pronunciation of slender r /r´/ as something like [ʒ] is very peculiar. It looks like the consonant became so palatalised that became a full fricative, similar to what occurs in parts of Erris Co. Mayo, however, the pronunciation is slightly different and I will cover this in a future post with audio. This is particularly strong in speakers from the Dún Chaocháin peninsula and can be heard used by Pádraic Ó Gionnáin from Cill a' Ghallagáin here

Breatnach makes a habit of using /ʒ/ rather than /r´/ in his transcriptions. This is an interesting choice as it allows him to note places where this sound is devoiced and so is pronounced the same as /s´/. This has certainly lead to a number of words being reanalysed so I suspect that this is how Pádraig de Paor and other speakers would have phonemically analysed it but I can't say for certain.

For cnoic, we have another peculiar one. This word as well as many others beginning with an initial consonant cluster composed of any plosive + /n/ (also all lenited and eclipsed forms) is often pronounced with the /n/ as /r/ outside of Munster.  T. F. O'Rahilly wrote in Irish Dialects Past and Present (1932) that this was the case in North Kilkenny whereas it was not in the South of the county. This is also repeated by Wagner in LASID but in a small clip of de Paor (who is from the South), it does sound like he is using /xr/ for chnoc. The audio, however, is very poor and it's entirely possible that I am mishearing or that both pronunciations were used as is the case sometimes in Galway or the Aran Islands. 

As for /su:n´əs/, I think it's simply the case that the vowel has been smoothed. This happens with virtually every /uə/ in the article and Wagner notes several words having both smoothed /i:/ and broken /iə/ (or /i:ə/) such as scian.

insa is a common dialectal spelling for the standard sa. This older and dialectal form is written in Scotland as anns a' but as far as I can tell, is also found in every Irish dialect.


Beas an oíche ag dul i ngiorracht (i giorracht)  
agus an lá ag dul abhfad
agus na héiníní tuirseach
ó bheith ag déanamh nead.

/b´es ən´ i:hə dol ə g´irəxd
ɑgəs ə lɑ: dol ə vɑd
ɑgəs nə he:ˈn´i:n´i tirs´əx
o: v´e d´ianə n´ad/ 

This is a short rhyme relating to St. Brigid's day and Spring. In idiomatic English (prose?), it would be as follows.

The night will be getting shorter
and the day getting longer
and the birds tired
from making nests.

Sounds better in Irish in my opinion. The first thing that stands out to me is the rhyme scheme. Rhyming in Irish poetry is more like assonance in that only the vowel has to match up for a rhyme rather than the full 'rime' of the syllable. The same as in English, two words I saw in a rhyme from Erris such as /g´l´aN/ and /t´aN/ rhyme because the 'nucleus' (the middle part/vowel) and the 'coda' (the optional final part/consonant) are the same. Collectively, these two are called the rime. Different from English, however, is that only the nucleus (the vowel) needs to be the same for a rhyme to work here. In Classical Gaelic, this sytem worked a little bit differently with more rules about what could and could not rhyme in the coda but I believe that is no longer the case in modern verse. 

We have some interesting features here again. People familiar with Connacht or Ulster varieties of Irish will recognise beas, the future relative of . This form is usually used as a bheas in relative sentences meaning 'that will be' as in an uair a bheas tú which means 'the time/when you will be'. Interestingly, relative forms are often used in non-relative sentences in Kilkenny but only in the future tense. This is rather odd given that relative forms don't exist generally in other Munster dialects and the classical language from Ossory verse often agrees with this practice and does not use the relative.

For i giorracht, we have an interesting example of the loss of eclipsis (urú). What we would normally expect here is i ngiorracht /ə ŋ´irəxd/ with eclipsis on the g because of the preposition i meaning in. Whilst I wouldn't say that eclipsis was entirely lost in Kilkenny, it's clear that it wasn't as productive as it was/is in other parts of the country. Seosamh Laoide, writing in An Claidheamh Soluis in 1910, noted that eclipsis was lost as in Rathlin and Scotland such as in the phrase go bí tú and there are a number of phrases where the mutations are mixed up or eclipsis is not present. Breatnach has seach ndiabhal and go mbeirimid Wagner has /gə v´anə/ for go mbeannuighidh. Eclipsis is always included in the verses in Dáithí Ó hÓgáin's Duanaire Osraíoch in what was then the older literary register. This literary style differed in vocabulary and grammar and the pronunciation was likely older too as in other Gaelic speaking regions, so not exactly representative of the spoken dialect. 

There's not much particularly interesting in the next two lines apart from the stress on héiníní. Taking again from Wagner and Laoide, stress in Kilkenny generally agreed with the rest of Munster without major exception. However, Matthew Byrne from Tullowbran Co. Kilkenny, another informant to Breatnach's thesis, had slightly more unusual stress patterns that differed from his contemporaries in Glenmore.

In the final line, we have two interesting points. déanamh here is the verbal noun of the Connacht and Ulster verb déan rather than the usual Munster dein. In this respect, Kilkenny differs from Ring Co. Waterford, however, déan and rinne were both found in the Déise dialect of South Tipperary. Although I think déan was more common, dheineadar is attested by Wagner in LASID.

We also see in this word, the breaking of the original /e:/ vowel into the diphthong /ia/. Before a slender consonant, this vowel broke in Munster and parts of Scotland as well as being present in some words in Ulster and Mann. It'd probably be more accurate to just say that this unbroken vowel was preserved in Connacht and Donegal. Originally, the diphthong was separate from /iə/ but over the last century, they have essentially merged with certain older speakers sometimes variably having them separate. This distinction is sometimes made by de Paor with him leaning towards having them unmerged. AnLoingseach explains this better in this video of his.

You can see in this image from Wagner's LASID
that the vowel is broken in all of Munster.
It also being sometimes broken outside of the
province but this is not phonemic. If the image
quality it good enough, you can also see that
in the data gathered between 1950 and 1954,
many of the speakers had /iə/.

Pádraig de Paor also has the final -amh as /ə/ but he does not always do this. He and the two other informants in LASID use both /ə/ and /əv/ for words such as leanbh, talamh, annamh, etc. In Wagner's entry for this verb, none of the informants used /əv/.

nead is /n´ad/ but sometimes the /a/ vowel is /e/. This is an interesting preservation that AnLoingseach also talks about in the video I linked above. It is preserved in North Donegal to some extent.


Níl (nín) lao ná leanbh ná leanfadh a mháthair.

n´i:n´ le: nɑ: l´anə(v) nɑ: l´anhəx ə vɑ:həʒ

This would mean 'There's no calf nor baby that won't follow its mother.'

Here with nín we can see another unique East Munster word. This is a variant of níl and not . I'm not knowledgeable enough yet to talk about how this came about but one theory is that it was nasalisation. Another states that ní fhuileann being shortened.

The /e:/ vowel in lao is typical of Munster. As is the final /-əx/ in leanfadh.


In conclusion, we can see that the Irish spoken in County Kilkenny stands apart in its dialect being a unique variety closely resembling but definitely separate from the Irish of Déise. Although these phrases aren't necessarily perfect examples of the dialect as it was naturally spoken, they are insightful into the features of the area.

This ended up a bit longer than I anticipated but I hope you've enjoyed it. I'll be continuing this post in multiple parts.

Sorry for having not posted in a while, I will put up a few things soon.

*For some reason, this was changed in an Caighdeán Oifigiúil, the official standard language and spelling. Although you could say that it stops confusion with the prepositional pronoun air, any difficulty in telling them apart is obliterated by using context.


Friday, 9 April 2021

what's in a name

Update: Since writing this, I have discovered that a woman by the name Margaret Cody from Coolnahau, Mullinakill was recorded by Canon William Carrigan in 1933. I do not have this recording.

From now on I will be calling Pádraig de Paor exclusively by 'Pádraig de Paor' or 'de Paor'. Pádraig de Paor was one of the main informants for Kilkenny/Ossory Irish material, the only native speaker I know to have been recorded, the last fluent native speaker and quite possibly the last speaker altogether. Annoyingly, he has gone by an array of names which I have listed below.

  • Pádraig de Paor
  • an Paorach
  • Pádraig Paor
  • Patrick Paor
  • Paddy de Paor
  • Paddy Power
  • Patrick Power

Monday, 8 March 2021

What is the IPA/Celticist?

For understanding and describing the phonology of Kilkenny Irish, I will be using phonetic transcription. This means that I will be using a kind of a phonetic alphabet to record what I see and I will use the transcriptions already given in the work I am referencing. There are two main alphabets that should concern the reader of this blog. I will try and explain them both and give reasons as to why.

The International Phonetic Alphabet (or just IPA) is the most common phonetic writing system. It is used internationally in linguistics to transcribe speech and is fairly extensive. It can be extremely specific or very broad and it's purpose as far as I know is basically to work for every human language. I won't go into the history of it or how it works in detail since I don't really have much to add to that topic. I've linked some useful stuff below.
IPA vowel chart. It is based on the
shape of the mouth, feel your
 tongue move as you say 'ee' and 'oo' [i:] [u:].
Isn't that cool?

It's really very handy to know how the IPA works. Personally, I would just recommend learning the symbols that are relevant to you. There's no point in staying up all night studying what ɱ, ʛ, ɮ, and ʜ are because you probably won't ever need them (unless you want to do it for fun). Nevertheless, having a rough understanding is absolutely an essential skill for trying to understand the phonology of a language. The charts are laid out in a particular logical way and they will help you to understand how sounds are made in the mouth.

Once you have a basic understanding of the IPA and you start to look at some Irish linguistic work, you will probably notice that the way the language is transcribed is a bit different. That's because there's a different system used for Irish. The IPA wasn't designed specifically for Irish phonology so linguists studying the language in the 20th century devised their own system of notation. This system, Celticist transcription, is also used for Gaelic in Scotland and the Isle of Man but not for any other languages, even other Celtic ones. There are some differences but really, in my opinion, this system is just а modified version of the IPA.

Celticist transcription isn't at all well known outside Gaelic language circles and varies from book to book so as far as I can tell, there are no online resources to specifically learn it. fuaimeanna.ie is a very useful website in general to learn the sounds of Irish and uses Celticist as well as IPA. It's a nice opportunity to learn and compare. Even though there are not many resources to learn Celticist, not to worry because it's usually explained at the start of Irish linguistic books and doesn't have as many different symbols as the IPA.

The important thing to know here is that the two systems of transcribing speech aren't really that different. Whereas they serve different purposes and are used separate from each other, they also employ a lot of the same techniques and knowing the workings of one system with some kind of a basic description of the other is enough in my opinion to facilitate easy use.

For the time being, I'm just going to use the Celticist transcription that I see in texts and try and make my own when I need to but if I think something is unclear or interesting I will provide my own audio interpretation. I don't trust that it will be perfect but I'll try to make it work.

The next post will probably be about verbs or pronouns.

Thanks for reading

--

The above chart, created by Wikipedia user Mr KEBAB, is used under the CC BY-SA 4.0 licence.

Friday, 5 March 2021

What is Ossory Irish and how does it relate to other dialects of the language?

As I mentioned in the introductory post, the dialect of Irish this blog will be focusing on is Ossory Irish. The Kingdom of Ossory existed roughly around the same area as the modern County Kilkenny and extended further north into parts of County Laois. It is in this area that the dialect was spoken but I have no reason to believe it did not also extend into parts of other counties. In this blog, I will be focusing mainly on Ossory Irish as it was spoken in County Kilkenny since it survived there longest and is documented better. Despite that, I will definitely make reference to the dialect from other areas too.

This map
This map shows the dialects of the Gaelic
speaking world with Ossory (here Osraiġe)
in dark blue. Credit to @duilinn on
Twitter for the map.

Most of my main 'socio-linguistic' sources come from anecdotes and testimonies I've gathered from people primarily living in the townland of Borris Co. Carlow and surrounding areas of Ballytiglea, Skeoughvosteen, Cournellan (known as 'Clash'), et al. and experiences in surrounding towns like Bagenalstown, Goresbridge and Graiguenamanagh. These areas are dotted either side of the Kilkenny/Carlow border and so the county identity varies. People from Ballytiglea Co. Carlow consider themselves to be from Kilkenny because the nearest town is actually Goresbridge but people from the town of Borris itself will generally consider themselves to be from Carlow. You could say that whichever proper town the person's family is closest to and wherever their family graveyard is will be their county. Since traditionally these areas were also tied with Glenmore, the home of the last native speaker, I think it is perfectly suitable to include these areas within the range of Ossory Irish.

The Ossory dialect itself is an interesting one. You could class it under the branch of East Munster falling along one end of a spectrum which once stretched from parts of Clare eastwards. The dialect itself shares many features with the Irish found in Ring Co. Waterford, however, it is definitely distinct. It contains many features formerly found in parts of Tipperary, Clare and certainly elsewhere in Leinster with a good deal of its own unique qualities too.

The next few posts will talk about things like the phonemic transcription and then after that, I will start my overview of this dialect.